These images are neither pure painting nor digital art, but a hybrid conversation of the two mediums. This conversation explores ideas of the sublime both in terms of form and content, where digital potentials created from a starting point of physical paintings are seemingly endless. Foundational paintings reveal a desire to stay grounded within the framework of traditions and rituals in making art, while digital manipulation presents opportunities for experimentation without the risk of destroying the physical object. This practice considers the tension of embodied creation and the cultural shift towards digital communication modes and documentation, bringing awareness to the fact that we also have this dual existence with our physical nature and digital presence online.